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George Saunders reads his short story "Victory Lap" at Chester College of New England. (Photo by Christopher Anderson)

On Tuesday, November 16, nationally acclaimed author George Saunders visited Chester College of New England as part of the Visiting Writers Series. Saunders, who has been hailed by The New Yorker as one of the best writers under forty and as one of the top 100 most creative people in entertainment by Entertainment Weekly, gave a question and answer period for students during the day and a reading, that was open to the public, the same evening.

In a time when many writers lament that the art of the short story has passed by, Saunders has published three collections of short stories and two novellas. His stories and essays also are routinely published in magazines such as The New Yorker, GQ, and Harpers. “Do I think short stories are dead? No,” he said. “I think people get this idea from bad agents. A bad agent will ask you if you have a novel finished. A good agent wants to know what you write. I’ve been lucky. One of the things we don’t tell young writers, that we should, is that you can’t pick what kind of writer you are.”

Saunders said he spent his youth reading “less than literary” books and does not count other writers among his top inspirations. When just beginning his career as a writer he studied albums, in particular how musicians ordered the songs on an album, to learn how to put together books of short stories. Other influences? Comedians of course. Saunders said he counts Steve Martin and Monty Python as strong influences on his writing.

Saunders is known for his genre-defying short stories and has a writing process that is in many ways as unconventional as his work. Often spending as many as seven years writing and revising a story, he said that by the end of the process he has only kept about 40 percent of the words he started off with. “Many young writers write a story, revise it, and three weeks later feel it’s finished,” he said. “I write magazine stories. I need to let a story sit long enough so that when I come back to revise it I’m looking at it just like the reader who flips through a magazine and comes across it for the first time.”

Each fall Saunders teaches an advanced fiction writing class in the MFA program at Syracuse University, but workshops are definitely not part of his own revision process. He explained that workshops are good tools for students but not for the seasoned writer. “The problem with workshops is that you get, say, five suggestions. Four of them, you feel, have nothing to do with your story. The fifth one does maybe, but only if it is something you were already thinking of yourself.

“Ultimately you send a story out with your name on it,” he continued. “It should be your work. Then if it succeeds you deserve all the credit for it. And if it fails you don’t have the feeling that you’ve been misled.”

~Renee Mallett

Chester College student Kelsey McCarthy’s short story “Coyote Smile” has been selected as a finalist for Collective Fallout’s Delfino Prize for Queer Genre Fiction. Her story will be published in the January 2010 issue of the magazine.

Between December 3, 2009 and December 15, 2009 Chester College of New England’s Primary Studios Students will be showing their work in the Wadleigh Library Gallery. The gallery will be free and open to the public.

Artist and musician Ashley John Pigford visited Chester College of New England this week as part of the Visiting Artist Symposium Lecture Series. Compass Rose staffer Jen Bailey had a chance to speak to him about his work.

Jen Bailey:
How did you come into this unusual sort of work?

Ashley John Pigford:
I am a designer by practice and an artist by product. I have a lot of experience in graphic design, and making money for other people. A while ago I decided to stop doing this and apply my creative process to something I cared about. So, in addition to teaching I explore my personal fascination with electronics, programming, and interaction design.

JB:
Why do you choose to work with old electronics?

AJP:
Because they are cheap and ubiquitous. Plus, they embody a message of reuse and rethinking everyday experiences. They are instantly engaging because people know them–they already have a relationship. This provides an entryway into the work.

JB: About how long does it take to complete a piece?

AJP:
Hard to say, sometimes a year, sometimes 30 minutes. All pieces are projects that continue to evolve in materials and my own knowledge of the technology.

JB:
Why do you believe interactivity is so important in art?

AJP:
Because engagement is what we all seek. Multi-sensory experiences are how we perceive reality and work that provides this is engaging in ways that are greater than the sum of its sensory parts.

JB: What would you say has been your greatest accomplishment?

AJP: Being a father.

JB:
What artists do you admire?

AJP: Tim Hawkinson, Conrad Shawcross, Troika, Greyworld; these come to mind right now.

JB: How has being a professor influenced your work?

AJP: It’s more like my work influences my teaching, however teaching and creative process are deeply intertwined as an intrinsic human activity.

JB: How has music influenced your work?

AJP: Heavily. My process of making art is very equivalent to making music. Both involve phenomenon, composition, tone, and non-visual experiences. Music is an unfiltered experience, it sinks deep fast.

JB: What advice would you give to aspiring artists?

AJP: Use your work to discover something you are fascinated with, then use the work to share this with other people.

 

Lana Z. Caplan will be Chester College of New England’s final visiting artist in the fall semester’s Visiting Artist Symposium. Lana’s lecture will be held on December 1st at 2:30 pm in the Wadleigh Library Conference Room. The lecture will be free and open to the public.

Lana Z. Caplan is a Boston-based film/videomaker, photographer and installation artist. She works with super8, found footage, video, interactive projections, and alterative processes photography in her pieces that explore relationships, mortality and social issues.

Recent screenings and exhibitions include: MadCat Women’s International Film Festival (San Francisco, CA); “FICCO”(Festival Internacional de Cine Contemporáneo), Museo Tamayo Arte Contemporáneo, (Mexico City); Festival Cap Sembrat 3, (Barcelona, Spain); Danforth Museum of Art, (MA); National Gallery of Art, (San Juan, Puerto Rico); Gallery NAGA, (Boston, MA); John Stevenson Gallery, (NY, NY); Photographic Resource Center, (Boston, MA); William Benton Museum of Art, (Storrs, CT).

Recent grants and awards include: Puffin Foundation, Individual Artist Grant; Wexner Center for the Arts, Residency Support; Massachusetts Cultural Council, Professional Development Grant; Vermont Studio Center, Artist-in-Residence, Artist Grant; Contemporary Artist Center, North Adams, MA; Polaroid Corporation, Materials Grant. She earned a B.A. from Boston University and an M.F.A. from Massachusetts College of Art. Caplan also teaches at the Massachusetts College of Art in Boston, MA.

Cynthia Hollis and Rebecca MacDonald have been nominated for the Irene Ryan Excellence in College Acting award through the Kennedy Center American College Theater Festival. Rockie Hunter was named as an alternate. Cynthia and Rebecca have been invited to compete for the award at the upcoming regional festival, taking place January 26-31 at UNH in Durham, where theater students from Maine to New York will come together to compete, network, perform, and take workshops with industry professionals. In the event that either Cynthia or Rebecca cannot attend, Rockie would go in their place. The nominations were made by Jim Murphy, the region one co-chair for the Kennedy Center American College Theater Festival. Mr. Murphy also chose to recognize the work of Matthew Williams, whose work on Chester’s production of “Night of the Living Dead” is being entered into the dramaturgy (theatrical scholarship) category at the festival.

 

abe_heroposterBetween November 15 and November 23, the final four of Chester College of New England’s graduating seniors will be show their work from the past two semesters. The opening reception will be held at 7 p.m., November 18, 2009 in the Wadleigh Library Gallery. The show is free and open to the public.

The event will feature gallery a combination of fantasy, erotica, role playing, video documentaries, TV show and other forms of propaganda from the 1940s, and life before, during and after World War I.

The visual artists are Kelsey McCarthy with “Children of Asgard,” Amanda Kovs with “A Surreal Twilight,” Brittany Barnes with “Silent Majority” and Brittany Tumelaire with “Perception.”. As part of the opening three senior writers will read portions of their work. Rachel Lieberman will read from her work of fiction “Coming and Going,” Lisa Pike will read poems from her collection “Stripped” and Kelsey McCarthy will read from her fiction piece “Children of Asgard.”

Postcard

Nationally acclaimed author George Saunders will visit Chester College on Monday November 16, as part of the Visiting Writers Series. He will participate in a question and answer session for students from 1-2:30 p.m. and will give a reading from 6-8 p.m, that the public is invited to attend. Both events will be held in Room 29 of the Powers Building.

Saunders, a creative writing professor at Syracuse University, has work appearing regularly in The New Yorker, GQ, and Harpers Magazine. His work has also appeared in the anthologies Best American Short Story, Best Non-Required Reading, and Best American Travel Writing. Saunders also is the author of two non-fiction books and five books of fiction.

Saunders has been a recipient of the National Magazine Award four times and has won second prize in the O. Henry Awards. CivilWarLand in Bad Decline, his first collection of short stories, was a finalist for the PEN/Hemingway Award. In 2006 Saunders Received a MacArthur Fellowship.

Ashley John Pigford will be coming to Chester College of New England on Tuesday November 17, 2009. She will be giving a lecture at 2:30 pm in the Wadleigh Library Conference Room. The lecture is free and open to the public.

Ashley John Pigford is an artist, designer, musician and educator who works across a wide range of art and design media including video, sound, installation, performance, sculpture, micro-electronics and letterpress. His current employment as Assistant Professor of Visual Communications in the Department of Art at the University of Delaware is paired with an active art/design studio practice. Ashley received his MFA in Graphic Design from the Rhode Island School of Design in 2006 after a successful career as a proprietor of graphic design in Los Angeles, CA.

Chester College of New England’s instructor of photography and media arts Rachelle Beaudoin has recently seen some of her video work featured on ArtFem.tv.

ArtFem.TV is online television programming presenting Art and Feminism. The aim of ArtFem.TV is to foster women in the arts, their art works and projects, to create an online international television screen for the creativity, images and voices of women. ArtFem.TV is a non-profit, artist run ITV and media portal about Art and Feminism. Artists featured on the site include: Pipilotti Rist, Martha Rosler, Marina Abramovic, and Valie Export.

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